Sassy, Engaging, Melodious, Sensual, Dangerous
• Shonel Jackson is registered with Voice123 since Feb 02, 2008.
Shonel Jackson does not appear to be an active participant of the Voice123 marketplace at this time.
Shonel Jackson was last active on Voice123 more than 30 days ago, OR may not be receiving our email messages.
• Shonel Jackson started his/her voice over career in 2007.
• Currently Shonel Jackson is a Standard subscriber.
• Auditions and proposals submitted through Voice123 during the past six months: 0
Voice Description
My voice is engaging. I've been told by the people who know me best that it's melodious. There also a certain charm to my sound. Depending on my mood, it can get quite dark, deep and sensuous. I tend to, without realizing it, copy the the sounds and accents of people I'm speaking to, and as a result nobody can quite guess where I'm from. I guess I'm a chameleon where my voice is concerned. I like using different sounds and accents in my daily life. It's just more exciting that way!
Voice Genders and "Ages" I Can Perform
• Child
• Teenage Girl
• Young Adult Female
• Middle Age Female
Language(s) of Which I Am a Native Speaker:
• Caribbean
• English - British
• English - North American
• Other
I Offer my Services for these Recording Purposes
• Commercials
• Promos
• IVR, voicemail, phone systems, and on-hold messages
• Training, business presentations, sales, and web sites
• Audiobooks
• Videogames
• Documentaries
• TV shows and movies
• Movie and game trailers
• Podcasts
• Adult content
• Songs
• Others (on-camera, informercials, live announcers, spokespersons)
My Union Affiliations and Memberships
My Recording and Delivery Capabilities
• I can record and then deliver the audio files via Email
• I can record and then deliver the files by regular mail
Pre-, Post- and Production Services I Offer
• I can deliver edited and finished voice tracks
• I offer voice direction services
My Home Base
London, United Kingdom
Accents, Impersonations, Characters and Dialects
* Caribbean (Guyanese, Jamaican, Trinidadian, Bajun, etc)
* American (Standard, Southern, Californian,etc)
* London
* English RP
* African
My Voice Experience
VOICEOVERS
*2008, Narrator, THE GRACCHI, LibriVox
*2008, Narrator, CATO THE CENSOR, LibriVox
*2008, Narrator, SCIPIO AFRICANUS, LibriVox
*2008, Narrator, AYESHA, THE RETURN OF SHE, LibriVox
*2008, Narrator, MUSIC, WHEN SOFT VOICES DIE, LibriVox
RADIO
*2007, Child, THE BOX, Paul Dodgson, Ravenbourne Radio Dramas
*2007, Check-out Girl & Woman 1 & 6, ANGEL STORY, Paul Dodgson, Ravenbourne Radio Dramas
RADIO COMMERCIAL
*2007, Eulalie, THE DILEMMA OF A GHOST, Radio Devon
TELEVISION
*2008, Lizzie Falconer, HOLBY CITY, Ian Jackson, BBC One
*2007, Clarenza, THE DIG, Ian Cownley, Ravensbourne
PROFESSIONAL THEATRE WORK
*2007, Eulalie, THE DILEMMA OF A GHOST, Border Crossings, Michael Walling, Theatre Tour (inc. The Barbican (Plymouth), The Drum (Birmingham) and The Africa Centre (Covent Garden)
*2007, Josephine, FOUR, Armourae, Steven Armourae, Lion And Unicorn Theatre
*2007, Jane, CATASTROPHE, Armourae, Caroline Boulton, Lion And Unicorn Theatre
*2002, The Artist, PROFIT, Emmett Tams, The White Bear Theatre
REHEARSED READING
*2008, Gran, FEET FIRST, Box Clever, Michael Wicherek, Bedonwell Infant School
*2007, Teenage Girl, LIE OF THE LAND, Elizabeth Newman, Bath House
My Training
I graduated from Rose Bruford College in Une 2007 with my degree in Acting. While there we received training in Radio Technique. Since leaving, I sought to add to my Radio repertoire by working as a actor for Ravensbourne Broadcasting College on the Radio and Television projects.
My Studio Equipment
Unknown - Click here to ask Shonel Jackson
Additional Skills
Stage Combat, Tumbling, Camera Technique, Television Presenting, Working with Auto Cue, Audio Books, Radio Technique, Capoeira, Atabaque (Capoeira drumming), Ice Skating, Pool, Roller blading, Rollerskating, Bowling, Yoga
Payment Methods Accepted
• PayPal
Online Payments Via PayPal
Contact Information
To contact Shonel Jackson by email or phone, please click here.




